When I was a kid of about 8 years old I saw a cartoon, I think it was a looney tunes one, where a character, after some hijinks, was put into jail. The moment the cartoon got behind bars, it started playing a harmonica. In that moment I realized I wanted one. My father, being the reasonable he is, bought me one a few days later as a reward for getting good grades in school. I am sure even to today, if you ask him about it, he will tell you how it was one of the worst decisions of his life. Just like any kid of that age I did not waste any time trying to actually learn to play it. Instead I put it in my mouth and started producing the most annoying, ceaseless sounds that anyone had ever heard. I did not let go of it for several days. I pretended to be some kind of criminal playing the harmonica, while marching around the house, street and school. I was probably the most hated kid by parents, neighbors, teachers and basically anyone with ears and a brain to be annoyed. Thankfully, being a child, I grew bored of the instrument eventually (it took me too long if you ask my father). It was thrown, as toys tend to be, into the back of a chest to gather dust in darkness. It would only be years later that I would pick it up again. My growing interest in blues would be the motivator. Unfortunately, it had rusted over the years. So I decided to buy the best harmonica I could at the time, to annoy people once again. This time though, I would learn to play.
Table of Contents
- 1 Top 10 Best Harmonicas
- 1.1 Hohner Marine Band Special 20 5-Piece Pro Pack
- 1.2 Hohner Special 20 Harmonica, Major C
- 1.3 SWAN Stainless Steel Chromatics Harmonica SW1040
- 1.4 Lee Oskar Harmonica, Key of C, Major Diatonic
- 1.5 Fender Blues Deluxe Harmonica, Key of C
- 1.6 Johnson BK-520-C Blues King Harmonica, C
- 1.7 Anwenk Harmonica Key of C 10 Hole 20 Tone Diatonic Harmonica
- 1.8 Suzuki HA-20-C 10-Hole Diatonic Harmonica
- 1.9 PLCEO Folkmaster Standard 10-Hole Diatonic Harmonica
- 1.10 SEYDEL Blues Session Steel Key of C Harmonica
- 2 History
- 3 Different keys, the make and what to look for
- 4 Techniques
- 5 Conclusion
Top 10 Best Harmonicas
The harmonica is an amazing instrument. Simple but versatile, the harmonica in its current form has existed for about 200 years. It has found uses in many contexts, including orchestra. But its most recent role in the world of modern music has become one of its best. But the history of the Harmonica is deep and, in a way, very important to the development of american culture.
The first harmonica like instruments existed in southeast Asia for thousands of years before reaching Europe. These were called Sheng and looked way different to what the Harmonicas of today look like. Though the idea was pretty much the same – holes that you blow through that vibrate reeds, which in turn, produces the sound. When comparing the sound of the Sheng to that of the modern Harmonica, it is possible to hear the similarity between the instruments. So much so, that it makes sense how the Sheng could have inspired the modern harmonica that was developed in Europe during the 19th century.
Joseph Richter, in the mid 1820s, created the first prototype of the modern harmonica. The technology allowed for the instrument to be played both when breathing out and in. Once the creation was let loose on the people, the harmonica became popular at an incredible speed. The people, seeing the instrument, would copy it and make their versions. The small size and the unique sound the instrument produced made it very popular with anyone looking to have music available to them at all times. Then, in 1857, the now most well known producer of harmonicas, Hohner, got to making harmonicas. He was soon mass producing them and became the most successful harmonica maker at the time and up to today.
One of the reasons that Hohner became so successful in the Harmonica manufacturing business was North America. He shipped some of the first Harmonicas he ever made to his relatives in the United States, where the instrument gained a lot of momentum. Everybody wanted one because it was cheap, light and sounded very good. Suddenly, Hohner had discovered an untapped market, and he tapped into it hard. Over the next few decades the Harmonica would become one of the staple instruments in American culture. Part of the sound of what we imagine to be the wild west, it soon evolved into the instrument of choice for blues and jazz musicians. It would go on to raise from being a poor man’s instrument to being used to perform classical musical pieces in the 1930s.
Today the harmonica is a widely respected and loved instrument. Most often represented in the blues and jazz genres, you can hear it being used in rock and roll as often as you can hear it in country and bluegrass songs. Its presence across all genres of music is slightly ironic and a great contrast to how this instrument was once underestimated.
Different keys, the make and what to look for
There are many different types of harmonicas available to buy. The standard harmonica, diatonic, is the one you think of when you imagine yourself playing with a blues ensemble. There are other types of harmonicas, most of them different in sound and play, as well as complexity of how they are played.
This type of harmonica is most commonly found in the blues and pop genres. Having ten holes, each with two reads, these harmonicas are usually limited to one key. Though playing techniques are available that allow the player to go beyond what the label says is available. The variety and affordability of diatonic models gives you the ability to quickly expand your collection and grow comfortable with certain types of models.
Chromatic harmonicas have 12 holes in them, each with two reeds and a manually worked lever that switches between the two reeds. This makes the chromatic harmonica considerably harder to play than the diatonic, but also gives the flexibility that allows the master musician to play just about any scale. The reeds of the chromatic are also harder to bend, meaning they are hard to play effectively or overblow, but if done right, the sound produced is very rich and full.
Tremolo harmonicas are built to sound very different from the other options available on the market. Each hole plays two reeds at the same time, one tuned sharp, the other flat, producing a very unique and recognizable sound. These are very popular in Japan, but did not catch on too well in United States or Europe.
There are also harmonicas manufactured for specific purposes. While less popular, these harmonicas present great utility in certain situations. Referred to as specialty harmonicas, here are some examples:
- Chord Harmonicas
- These harmonicas are huge. They have the ability to produce 48 different chords and are arrange so that there are clusters of four chords all along it. I would have a hard time finding a role for them in a band, but they do have a use: they provide melodic support in harmonica ensembles (yes those exist)
- Orchestral Harmonicas
- These are made both in diatonic and chromatic versions and are produced in a number of pitches. Their purpose is to be part of, you guessed it, orchestral groups. This means they have a powerful sound so they can keep up with the rest of the instruments.
Though on this list you will only find Diatonic Harmonicas.
Diatonic harmonicas are made in several different keys. Any beginner will the C key most useful to them, since it is the most pleasant to listen to and the easiest to play and learn on. Eventually, once the beginner becomes more advanced in their playing, they will expand their repertoire of keys. If playing in ensemble with a guitar, these keys will usually be D, F, G, A, to complement the sound of the guitar.
There are several techniques used in playing the harmonica that will result in your music sounding better, more mature and professional. While some of these may seem intuitive, performing these techniques consciously will be an improvement on simply performing them accidentally.
Bending is a technique that involves adjusting your “embouchure”, or in human speak, how you are using your lips, teeth, tongue and the rest of your mouth muscles to play the harmonica. This technique is hard to master, especially for beginners, but once mastered is one of the more satisfying to use. It allows you to play beyond the 19 notes readily available on your harmonica, giving you range beyond the key that your instrument is in.
Is a technique related to bending (as the name would imply) but is also harder to achieve and requires that a harmonica be modified to a certain extent to make it possible. When modified correctly and the overbending is achieved, the player becomes able to play higher pitched notes than what he would be able to do normally or with bending techniques.
Tongue Blocking, Lip Pursing
If you are putting your mouth over three or more holes at the same time, this technique will allow you to isolate a single hole at a time. This is an alternative to Lip Pursing, which requires you to place your mouth over a single hole at a time by pursing your lips.
So what happened after I decided to buy the harmonica? Well, being barely any older than a teenager, I realized that despite harmonicas not being the most expensive things in the world, I did not have the money to buy the best. I’d have to scour local music shops or just any shops in search of a harmonica that would do. Finally, because I am lucky man and because I took about two weeks looking, I found an old harmonica at a thrift shop. It had been cleaned and cared for and after wiping some dust off, it sounded just perfect. So I bought it for what seemed like nothing and brought it home and spent the next month practicing. The brother of a friend of mine knew how to play so I learned from him. When I finally was confident in my skills, I demonstrated them to my band at the time. They loved it and that is how my short lived career as the “harmonica dude” began. For a few gigs I used to bring the harmonica out for a sweet bluesy solo. Problem was our songs were not that bluesy. Rock and roll, maybe, metal mostly. So when the C harmonica started to play, it had no way of fitting in right. Even after I tried using my friend’s distortion pedal on the mic that I used to amplify the sound of the harmonica, all I got was an amateur sound. So I stopped playing it with my band. But there were times when me and the guitar player would skip practice and go to the subway. We would sit under the ground, him on his guitar, me singing and following along on the harmonica. We made a pretty solid blues duo. There was a lesson somewhere in this story. I don’t know what it is, what I do know is that the best harmonica, is the harmonica you have the most fun playing.